Thursday 24 September 2015

EX MACHINA MOVIE RESEARCH



EX MACHINA MOVIE RESEARCH

producers and production companies:
Eli Bush
...
executive producer
Caroline Levy
...
line producer
Andrew Macdonald
...
producer
Allon Reich
...
producer
Tessa Ross
...
executive producer
Scott Rudin
...
executive producer
Jason Sack
...
associate producer
Joanne Smith
...
associate producer
Jarle Tangen
...
line producer



Director and screen writer: Alex Garland





Description: omhnall Gleeson
Domhnall Gleeson
...
Caleb
Description: orey Johnson
Corey Johnson
...
Jay
Description: scar Isaac
Oscar Isaac
...
Nathan
Description: licia Vikander
Alicia Vikander
...
Ava
Description: onoya Mizuno
Sonoya Mizuno
...
Kyoko
Description: laire Selby
Claire Selby
...
Lily
Description: ymara A. Templeman
Symara A. Templeman
...
Jasmine (as Symara Templeman)
Description: ana Bayarsaikhan
Gana Bayarsaikhan
...
Jade
Description: iffany Pisani
Tiffany Pisani
...
Katya
Description: lina Alminas
Elina Alminas
...
Amber

Budget: $15 million
Box office figures: $36,659,611 (Worldwide) (9 July 2015)
$26,187,268 (Worldwide) (
15 May 2015)
Music Composed By: Ex Machina
Geoff Barrow
Ben Salisbury

CAMERA SHOTS

CAMERA SHOTS
Extreme close-up ECUThis is a very close shot showing the detail of an object or the physical features of a person.To make the viewer aware of some specific detail in the film. It can be used to heighten tension. 
   
Very close-upVCUThis is a face shot taken from the mid-forehead to above the chin.This shows the close detail of the character's eyes and mouth. It can be used to heighten tension.
Big close-upBCUThis is full head height and the head takes up the entire screen. It contains little or no background.This shows the detail of the character’s face. 
Close-upCUThis is a shot taken of a person’s head from just above the head to the top of the upper chest. It can also be used to film an object at close range. It contains little or no background.This used to introduce a character and allows the character to show emotions. It can be used to heighten tension.
Medium close-upMCUThis shows the upper half of the body. The shot is taken from the above the head to lower chest.Good for conversation between two characters.
Medium shotMSThis shows half of the body. The shot is taken from above the head to just below the waist.This allows you to get to know the character more closely by viewing their facial expressions and body language.
Medium long shotMLSThis shows the whole person as well as some of the background.Places the person in context.
Long shotLSThis shows the whole person and other characters, but the background dominates the shot.This allows the viewer to understand the relationship between the characters and their environment.
Extra long shotELSThis shows the landscape of the film or a barely visible character in the distance of a background.This gives information to the viewer about where the action is to take place. It often sets the atmosphere of a film.

Tuesday 15 September 2015

FILM PRODUCTION ROLES

FILM PRODUCTION ROLES

WRITER: A screenplay writer, screenwriter for short, scriptwriter or scenarist is a writer who practices the craft of screenwriting, writing screenplays on which mass media such as films, television programs, comics or video games are based.
PRODUCER: Producers play an integral role in the television, film and video industries. A producer will oversee each project from conception to completion and may also be involved in the marketing and distribution processes. Producers work closely with the directors and other production staff on a shoot.

CASTING DIRECTORA casting director is a middleman (or more likely a middlewoman) who finds the actors needed to fill roles in moviesTV showstheatrical productions, commercials or even corporate and music videos.
DIRECTOR: Generally, a film director controls a film's artistic and dramatic aspects, and visualizes the script while guiding the technical crew and actors in the fulfillment of that vision. The director has a key role in choosing the cast members, production design, and the creative aspects of filmmaking.
FILM FINANCE: Film finance is an aspect of film production that occurs during the development stage prior to pre-production, and is concerned with determining the potential value of a proposed film.
CAMERA OPERATOR:A camera operator is someone who records images that entertain or inform an audience. Camera operators capture a wide range of material for TV shows, motion pictures, music videos, documentaries, and news and sporting events. Most work in the motion picture industry or television broadcasting.

EDITOR: A film and video editor is a highly skilled film industry employee who edits movies or videos. The success or ultimate failure of the production lies in their hands. The final production must be a coherent project that incorporates the storyline and personality of the starring actors

PRODUCTION DESIGNER: Production designers are responsible for the visual concept of a film, television or theatre production. They identify a design style for sets, locations, graphics, props, lighting, camera angles and costumes, while working closely with the director and producer.
FILM MARKETER:The Marketing and Publicity Managers' main responsibility is to convince the public that this is a 'must-see' movie. Once Distributors have identified the target audiences and potential revenue, the marketing campaign should reach target audiences before and during film releases.  When the film opens, audiences’ interest should be at its peak. After release, the Marketing and Publicity Manager needs to increase interest in the film with more promotion and troubleshoot any problems.
FILM EXHIBITOR: Exhibition is the retail branch of the film industry. It involves not the production or the distribution of motion pictures, but their public screening, usually for paying customers in a site devoted to such screenings, the movie theater. What the exhibitor sells is the experience of a film (and, frequently, concessions like soft drinks and popcorn). Because exhibitors to some extent control how films are programmed, promoted, and presented to the public, they have considerable influence over the box-office success and, more importantly, the reception of films.